When Naomi becomes a finalist for the first one-way mission to Mars, she must choose: pursue her ambition or stay on Earth with the woman she loves.
What I Wouldn’t Give
The opening number.
Accent Wall
Naomi has just found out that she’s a finalist for the first ever one-way Mars mission. The final interviews are in Norway, so Naomi tears off to find her passport. Her partner Elaine, knowing exactly where the passport is, pulls it out and considers sabotage.
Home
Sven, a fellow finalist, has resolved to withdraw his Fourth Planet application, unable to imagine life without his wife and children. He hands Naomi a copy of his letter, hoping that she, too, will drop out.
Phone Tag
Halfway through the show, Naomi is offered a spot on Crew One and she accepts. She goes to the Arctic for an intense, months-long training simulation. To mimic conditions on Mars, a 40-minute delay is placed on all incoming and outgoing messages. Elaine and Naomi—who still love each other—try to navigate this change in the relationship.
The Planetarium
As the training simulation wears on and the day of the launch approaches, Elaine begins to let go as Naomi desperately holds on tighter. Home alone, Elaine struggles to fill her days.
Anyone At All
Deprived of any human contact outside the training simulation, Naomi and crewmate Zoe fantasize about potential candidates for a sordid encounter.
The Sky / Finale
Naomi and Elaine meet a final time. Unsure of how to say goodbye, they go outside and stargaze, just like they did on their first date. The ensemble joins, reprising text from Amelia Earhart’s eulogy, as the rocket takes off.
Synopsis
Naomi, a Canadian climate scientist, is selected as a finalist for the first one-way mission to Mars. Thousands have applied through Fourth Planet, a new private company, and only fifty remain in the running. Elaine, Naomi’s long-term partner, inwardly panics at the news but outwardly plays along in hopes that Naomi will ultimately choose her, as she always has before.
The final round of interviews takes place in Norway where Naomi meets some of the other finalists. Ciel, a hardened astrophysicist, questions Naomi’s commitment to the mission and encourages her to stay focused on Mars. But Sven, another finalist, drops out of the running to be with his family and pressures Naomi to do the same. At the midpoint, Naomi is officially offered a spot on Crew One. She must choose: venture to Mars in pursuit of her ambition or remain here on Earth to be with the woman she loves.
Naomi accepts the offer.
The second half of the show takes place in a training simulation, where Naomi and Elaine—who still love each other deeply—struggle to navigate this change in the relationship. The artificial time delay placed on all incoming and outgoing video messages doesn’t make things any easier. As Elaine begins to pull away, Naomi desperately holds on tighter. But when a colleague and close friend dies during a rocket test launch explosion, Naomi steels her resolve and fully commits to the mission.
When the time comes to say goodbye, neither Naomi or Elaine know how to do it. Instead, they go outside and stargaze, just like they did on their first date. After affirming how much they mean to each other, the countdown begins. The stage fills with light as the rocket takes off.
Video
Jenn Colella performing “The Planetarium” for the 2020 Fred Ebb Awards.
Jenn Colella and Crystal Lucas-Perry performing “Phone Tag” for the 2020 Fred Ebb Awards.
Crystal Lucas-Perry and Amanda Savan performing “The Sky” at the 2017 Jonathan Larson Grant Ceremony, presented by the American Theatre Wing.
Jason Gotay performing “Smaller” at the Kennedy Center in D.C. with Simone Allen (piano), Christopher Staskel and Ben Bonnema (vocals).
© 2019 John F. Kennedy Center for the Performing Arts
Developmental History
Musical Theatre Factory
Under Founding Artistic Director Shakina Nayfack, ONE WAY completed the entire MTF Assembly Line: Salon, 4x15, “Get Your Act Together,” and a 2016 developmental residency with Playwrights Horizons. We worked with director Kirsten Sanderson (First Daughter Suite) and dramaturg Natasha Sinha (Playwrights Horizons, Associate Artistic Director).
Johnny Mercer
In June 2019, we participated in the Johnny Mercer Foundation Songwriters Project under the advisory of Andrew Lippa, Craig Carnelia and Stephen Bray.
Rhinebeck Writers Retreat
We were selected from over 100 applications to receive a weeklong residency at Rhinebeck Writers Retreat in August 2017.
The Kennedy Center
In October 2019, we presented selections from the show at The Kennedy Center in D.C.
Goodspeed
In February 2018, we participated in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals.
NAMT
We presented the piece at the 2019 National Alliance for Musical Theatre (NAMT) Festival of New Musicals, starring Tony-nominated Jenn Colella.