When Naomi becomes a finalist for the first one-way mission to Mars, she must choose: pursue her ambition or stay on Earth with the woman she loves. 

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What I Wouldn’t Give

 
 
 

The opening number.

Accent Wall

 

Naomi has just found out that she’s a finalist for the first ever one-way Mars mission. The final interviews are in Norway, so Naomi tears off to find her passport. Her partner Elaine, knowing exactly where the passport is, pulls it out and considers sabotage.

 

Home

 
 

Sven, a fellow finalist, has resolved to withdraw his Fourth Planet application, unable to imagine life without his wife and children. He hands Naomi a copy of his letter, hoping that she, too, will drop out.

 

Phone Tag

 

Halfway through the show, Naomi is offered a spot on Crew One and she accepts. She goes to the Arctic for an intense, months-long training simulation. To mimic conditions on Mars, a 40-minute delay is placed on all incoming and outgoing messages. Elaine and Naomi—who still love each other—try to navigate this change in the relationship.

 

The Planetarium

 

As the training simulation wears on and the day of the launch approaches, Elaine begins to let go as Naomi desperately holds on tighter. Home alone, Elaine struggles to fill her days.

 

Anyone At All

 

Deprived of any human contact outside the training simulation, Naomi and crewmate Zoe fantasize about potential candidates for a sordid encounter.

 

The Sky / Finale

 

Naomi and Elaine meet a final time. Unsure of how to say goodbye, they go outside and stargaze, just like they did on their first date. The ensemble joins, reprising text from Amelia Earhart’s eulogy, as the rocket takes off.

Jenn Colella and the cast of ONE WAY at the 2019 National Alliance for Musical Theatre. 📷: Ric Kallaher

Jenn Colella and the cast of ONE WAY at the 2019 National Alliance for Musical Theatre. 📷: Ric Kallaher

Synopsis

 

Naomi, a Canadian climate scientist, is selected as a finalist for the first one-way mission to Mars. Thousands have applied through Fourth Planet, a new private company, and only fifty remain in the running. Elaine, Naomi’s long-term partner, inwardly panics at the news but outwardly plays along in hopes that Naomi will ultimately choose her, as she always has before.

The final round of interviews takes place in Norway where Naomi meets some of the other finalists. Ciel, a hardened astrophysicist, questions Naomi’s commitment to the mission and encourages her to stay focused on Mars. But Sven, another finalist, drops out of the running to be with his family and pressures Naomi to do the same. At the midpoint, Naomi is officially offered a spot on Crew One. She must choose: venture to Mars in pursuit of her ambition or remain here on Earth to be with the woman she loves. 

Naomi accepts the offer.

The second half of the show takes place in a training simulation, where Naomi and Elaine—who still love each other deeply—struggle to navigate this change in the relationship. The artificial time delay placed on all incoming and outgoing video messages doesn’t make things any easier. As Elaine begins to pull away, Naomi desperately holds on tighter. But when a colleague and close friend dies during a rocket test launch explosion, Naomi steels her resolve and fully commits to the mission. 

When the time comes to say goodbye, neither Naomi or Elaine know how to do it. Instead, they go outside and stargaze, just like they did on their first date. After affirming how much they mean to each other, the countdown begins. The stage fills with light as the rocket takes off. 

Video

Jenn Colella performing “The Planetarium” for the 2020 Fred Ebb Awards.

 
 

Jenn Colella and Crystal Lucas-Perry performing “Phone Tag” for the 2020 Fred Ebb Awards.

 
 

Crystal Lucas-Perry and Amanda Savan performing “The Sky” at the 2017 Jonathan Larson Grant Ceremony, presented by the American Theatre Wing.

 
 
 
 

Jason Gotay performing “Smaller” at the Kennedy Center in D.C. with Simone Allen (piano), Christopher Staskel and Ben Bonnema (vocals).

© 2019 John F. Kennedy Center for the Performing Arts

 

Developmental History

 
 
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Musical Theatre Factory

Under Founding Artistic Director Shakina Nayfack, ONE WAY completed the entire MTF Assembly Line: Salon, 4x15, “Get Your Act Together,” and a 2016 developmental residency with Playwrights Horizons. We worked with director Kirsten Sanderson (First Daughter Suite) and dramaturg Natasha Sinha (Playwrights Horizons, Associate Artistic Director).

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Johnny Mercer

In June 2019, we participated in the Johnny Mercer Foundation Songwriters Project under the advisory of Andrew Lippa, Craig Carnelia and Stephen Bray.

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Rhinebeck Writers Retreat

We were selected from over 100 applications to receive a weeklong residency at Rhinebeck Writers Retreat in August 2017.

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The Kennedy Center

In October 2019, we presented selections from the show at The Kennedy Center in D.C.

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Goodspeed

In February 2018, we participated in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals.

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NAMT

We presented the piece at the 2019 National Alliance for Musical Theatre (NAMT) Festival of New Musicals, starring Tony-nominated Jenn Colella.

Author Bios

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Ben Bonnema is the recipient of the Fred Ebb Award, Jonathan Larson Grant,


the ASCAP Frederick Loewe Award, and the Harold Adamson Lyric Award. The New Yorker raved about his musical THE APPLE BOYS, calling it “a bushelful of delights” and that he wrote “clever, catchy songs” (book by Jonothon Lyons, 2018 production at HERE Arts Center).


ONE WAY, with Christopher Staskel, was developed at the Musical Theatre Factory, the Johnny Mercer Foundation Writer’s Colony at Goodspeed, and NAMT’s 2019 Festival of New Musicals starring Jenn Colella (Come From Away).

 

Ben wrote book, music & lyrics to Adult Swim's PETER PANIC, a musical video game played by nearly two million people (developed by James Marion). 


His slumber party musical BOYS WHO TRICKED ME was called "heart-healing musical theatre" by Joshua Barone of the New York Times. Other full-length: THE LOST GIRL with Arianna Rose. Film: MARY POPPINS RETURNS (Music Associate to Marc Shaiman, Oscar nom.). Ben holds an M.F.A. from NYU's Graduate Musical Theatre Writing Program. www.benbonnema.com

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Christopher Staskel is a writer, musical theatre lyricist-librettist, and winner of the 2020 Fred Ebb Award.



He also received the 2019 ASCAP Foundation Harold Adamson Lyric Award following a concert of his work (with collaborator Ben Bonnema) at the John F. Kennedy Center in D.C. 



His and Bonnema’s musical ONE WAY was selected for NAMT’s 2019 Festival of New Musicals, the Johnny Mercer Foundation Songwriters Project, and the Rhinebeck Writers Retreat. Other work includes THE FIREBIRD (with Lisa Whitson Burns), which was a finalist for the 2014 National Music Theater Conference at the O’Neill, and his one-act SLASH (with Ben Bonnema), commissioned by UglyRhino Productions as a theatrical drinking game. He was a 2015 Kleban Prize finalist and a winner (with Max Mamon) of NY City Center’s 2014 Sondheim Remix contest, which granted him the surreal opportunity to rap for Stephen Sondheim.

 



Chris holds a B.F.A. in Music Theatre from Elon University and an M.F.A. from the Graduate Musical Theatre Writing Program at NYU Tisch School of the Arts. When not thinking up rhymes, he works at a cat cafe. www.christopherstaskel.com


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Contact

For developmental inquiries:

Katie Gamelli
Paladin Artists Agency
katiegamelli@paladinartists.com

For anything else:

contact@onewaymusical.com

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